October 2011

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By Jeremy Kahn

As some may remember, last year I posted an article about Marza. It’s a new animation division started up by SEGA for the main purpose of creating feature length animated films. One of their first works was the special “Sonic: Night of the Werehog.” Recently they’ve worked on a film alongside Toei Animation based on “Space Pirate Captain Harlock” (due sometime in 2013). Marza has shown interest in creating family driven films.

Last year they held a worldwide contest where anyone could submit story ideas in the hopes that you’d win and Marza would turn your idea into an full length feature. 400 entries were received, two of which were chosen and are now in development.

An email detailing the second contest was sent out to last year’s contestants. It contained a general list of requirements, including:

1. A synopsis of a complete story for a Marza animated feature film. The synopsis should be no more than 1,000 Words. Incomplete stories will not be considered.

2. A cover page that includes a logline (brief synopsis) of the film in less than 100 words and a writer’s statement about the hook and the universal theme of the film (less than 200 words each).

3. Writers must agree to the terms on the release form on the website.

The deadline for this year’s contest is Nov. 15th. It’s coming up soon, so if you want a chance to turn your screenplay into a feature length film, and a chance to win a cool one million Japanese Yen, visit the official English language site.

Good luck and have fun writing.

By Carlos Serrano

#AltDevBlogADay, a community of video game developers that came together to write about their experiences in the industry, will soon be host to a new kind of conference. AltDevConf, which will begin February 12th of next year and be presented completely online. Anyone can view any of the lectures that will be available. Heather Decker-Davis (M.F.A., interactive design and game development, 2012) calls it a “very different sort of conference, the likes of which I’m not sure we’ve ever seen before.”

For Heather Decker-Davis, this conference is particularly important. Not only is she a contributing writer to #AltDevBlogADay, she is slated to be the co-chair for the Education track of the conference. “I originally became aware of #AltDevBlogADay on Twitter.” She says, “I was following Mike Acton and saw some of the initial announcements when he launched the site.”

Soon after seeing those announcements, Ms. Decker-Davies was chosen for a scholarship by the International Game Developers Association (IGDA). As an IGDA Scholar, she was taken to the Electronics Entertainment Expo (E3). There she met Mike Acton, who encouraged her to contribute to the blog. Now she’s not only a contributor, but also a major player in the organization of the conference.

The Education track of the conference is a recent addition. There’s still time for anyone interested to submit a lecture proposal. Information on what Ms. Decker-Davis and fellow co-chair Luke Dicken are looking for in a proposal can be found here. The deadline is currently October 23rd, no word yet on whether it will be extended for the new Education track.

For those wondering if submissions are restricted to those with experience in the industry, never fear. According to Ms. Decker-Davies, “the content of the proposal and quality of the speaker is what really matters. If you have your hands in teaching or developing content for game development education and you have something insightful to share, we’re listening!”

By Carlos Serrano

It’s no secret that SCAD attracts talented people from all across the world. Giving all those talented people their due attention is important and oftentimes a fun experience. That’s why Student Spotlight was created, to shine a light on the talents and styles of different eLearning students. First up is Tracy Toogood from Rincon, Georgia.

A Graphic Design major, Tracy wants to “creatively inspire others within a physically and mentally challenging environment.” Below are some of Tracy’s pieces, as well as an artist statement from Tracy herself. And remember, if you’d like to be featured in Myriad’s Student Spotlight, send a sample of your work along with an artist statement to myriad@scad.edu.

“A naturalist at heart, I enjoy all themes organic. In fact, I’m quite good at getting my hands unnecessarily dirty in the process of artistic expression. Experiences differ from one individual, and one generation, to the next. Even the smallest endeavors are important. Past struggle and disenchantment have not deterred me from finding my own true potential.

A year ago I would not have considered myself a designer. An artist, yes—one capable of being inspiredbut not one who inspires. Creating with paint and pastels for “Hatchlings” and “Michael” respectively presented a challenge. Working in these mediums proves very humbling and gratifying at the same time. The most self-fulfilling by-product of these pieces has been the realization of my own conceptual journey.

My work is not meant to placate anyone with cheerful or understated logic. I recognize that the viewer has a brain and I expect them to exercise it by formulating questions and answering them. It’s perfectly fine to talk to oneself in public.”

By Jeremy Kahn

It was a sad day for manga enthusiasts when Tokyopop shut its doors. They left the manga industry when they closed their North American headquarters, leaving only their Germany post open for licensing media and merchandise. Blame was placed on Boarders, who apparently owed Tokyopop money at the time. But Borders was going through financial problems of their own, recently closing their doors. Not only were they unable to pay back what they owed, but Tokyopop lost a major brick and motor store in which to sell their product.

Tokyopop has been closed for nearly a year but there have been traces of their publications floating around. The majority of their titles have reverted back to their respective license holders. Kodansha, a major manga publisher, just started reclaiming their titles and redistributing them with new translations themselves. An interesting thing to note about this closing is that SCAD students were welcomed to intern there. Up until last year when the closing happened, and a while after, Tokyopop was listed as one of companies that SCAD was affiliated with in regard to internships.

It’s not all doom and gloom, though. According to the TokyopopManga Twitter account, Tokyopop is “hoping that [it will] be able to release new manga very soon.” They are “laying the groundwork for publishing new manga again.”

But there’s a catch. Since, as mentioned above, their titles have reverted back to their original publishers they will “have to work to get them back.” They were sure to reaffirm though that their “ultimate goal is to start publishing manga again.” To add to the excitement, and anticipation they hinted that the first title they would start with would be an old one.

Also on the horizon are plans to start publishing their future titles in physical and digital format. A thing to note here though is that, a couple of their titles are already available in a digital format through a variety of digital comic services. The possibility exists, however, that they might create their own app to sell their titles through.

Stu Levy released this letter which was posted on GeekChicDaily on Tuesday addressing this news, “I know that you’re all eager to have the same access to your favorite manga titles that we could previously provide and I promise that I am continuing to explore any and all opportunities to relaunch the manga publishing operations of TOKYOPOP’s business.”

It’s sad whenever we lose a major publishing company, especially in today’s world where everything is moving towards a digital future. So it’s great to see things turn out for the best this time around. Here’s hoping that more companies like this can get a second chance.

By Carlos Serrano

Life can be rough for artists sometimes. There’s a constant need for marketing yourself that other professions may not always have. It’s also easy for those starting out to be confused about where and how to go about bringing attention to their work.  For many artists, conventions become central to their career.

The idea behind it is fairly simple. Most conventions feature an Artist Alley, a specific area of the convention where artists can set up a table to display and sell artwork. Getting a table costs money, of course, but most conventions will throw in convention passes as part of the deal. That way artists are not stuck at their tables even after they’ve sold everything.

If you’re thinking about getting into the convention circuit, there are a few things to keep in mind. First, most Artist Alley tables and facilities do not come with electrical outlets. If your artwork will require any kind of electricity, you’ll need to reserve your space extra early and pay more for power.

The most important thing to remember to avoid any unnecessary problems is what many conventions call the 80/20 rule. The idea is that many conventions deal with a certain subject of popular culture (comics, anime, etc.). It’s tempting for artists to load up on fanart to sell. To avoid messy copyright issues, most conventions require an artist’s inventory to contain 80 percent completely original artwork. The other 20 percent can be fanart. There are a few exceptions, mainly when it comes to on-site commissions, but the general rule stands.

Of course, an important thing to know if you’re starting out is where exactly conventions are. Most of the larger conventions with larger Artist Alleys take place in the big cities of certain states. Some conventions to look into are:

WonderCon (Anaheim, CA)

San Diego Comic Con (San Diego, CA)

MegaCon (Orlando, FL)

SuperCon (Miami, FL)

Anime Weekend Atlanta (Atlanta, GA)

Anime Boston (Boston, MA)

Dallas All-Con (Dallas, TX)

Oni-Con (Houston, TX)

Unfortunately, convention season is pretty much over. However, if you want to keep track of future conventions or look up ones not listed in this article, a good resource is GeekCal, a calendar for events like conventions and book signings.

Finally, remember to always keep your mind open about where to go. You never know where you might get your big break.

By Carlos Serrano

Surprising absolutely no one, Marvel has begun leaking information on plans to distribute more films after the much-anticipated “The Avengers” hits theaters. The biggest name that’s been tossed around? Ant-Man, one of the original Avengers and absent from the upcoming film. Since the announcement of “The Avengers,” rumors have been spread throughout the Internet about a possible Ant-Man film. Now, Marvel president of production Kevin Feige has told Entertainment Weekly that they have a draft for script ready. While the character may not be part of “The Avengers,” it looks like he’ll be given his moment in the spotlight.

In even less surprising news, “Thor 2” and “Iron Man 3” are also going forward. Not the most shocking news, considering how well the prequels for those films were received. It’ll be particularly interesting to see how they manage to keep “Iron Man 3” fresh and exciting.

The most surprising news of all comes from the Entertainment Weekly article mentioned earlier. “Guardians of the Galaxy” a comic first published in 1969, might be on its way to the big screen. The futuristic story, dealing mostly with Marvel’s cosmic side, seems like a departure from the rest of the films Marvel’s put out. “Thor” toyed a little bit with the ideas behind the cosmic side, but an entire film could be interesting.

Ultimately, it’ll be a waiting game to see if “The Avengers” is the tip of the iceberg or if Marvel loses its steam.

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